are creating a parody of their own stories so that they can reinvent their four-to-five billion dollar annual princess machine. Disney is just as much a part of our culture as Walmart, McDonalds or General Electric. These companies that are judged wicked because they meet demands from people. Little girls have always liked to hear stories of princesses since long before Disney, cultural legacies from the past, like feudal Europe – not a nice place for common women, but much better as a
dance in the movie. And that got me thinking, "you know, there are a lot of hot animated Disney babes! Surely someone has made a list of them!". But alas, there was no list to be found on the internets. So yours truly decided to spin some precious cycles trying to crunch the numbers and come up with a list of the finest Disney women of all-time. She must be, mostly, human (no cats, mice, etc. So without further ado, here they are. #1: Jessica Rabbit (Who Framed Roger Rabbit) - Is there any
and was entitled "Mars and Beyond. Slipher, an astronomer from the Lowell Observatory in Arizona, joined von Braun and Stuhlinger as technical consultants on the film. All three appeared on camera. The show also included colorful animated accounts of the legend and lore related to Mars. The narrator introduced the segment featuring von Braun and Stuhlinger by saying, "at the present time an atomic-powered space ship has been suggested by a leading scientist in the rocket and guided
girls to turn anorexic to look like her. The others are turning into beanpoles. This isn't necessarily a jab at Disney, since the story existed well before the movie, but Beauty and the Beast always bothered me. Not because of how Belle is presented, but because the story involves her essentially being enslaved by someone who is angry, and abusive. But then, of course, just by getting to know him better and being nice to him, she changes him and falls in love. That's a pretty twisted message
happen if you lose your internet connection due to system outages? Could one still access the content, after all I can always pop in a DVD if my TV connection goes dead. This is the way all DRMs should work. The main complain most consumers were making on the net was that DRM prevents them from moving their content in between devices and that they were afraid of losing access to content if the provider goes bust. This is the step in the right direction to eliminate those fears and also helps
Pixar didn't produce Bolt. John Lasseter (Pixar head honcho) did however replace the director. After the abomination of X-Men Origins: Wolverine, I really think anyone "worried" about Disney dumbing down Marvel IP is barking up the wrong tree - Marvel/Fox was doing a far better (worse?) job of it already. Not if DC loses the copyright battle. Superman could wind up as a Disney property too. @25, Bolt isn't a Pixar movie. It was, however, the first Disney feature produced under the oversight
links within them. In 1995, I put a lot of work in a couple of CGI scripts. They managed a vote database, where everybody was invited to submit grades for all Disney movie. by a student from Rutgers university who continued to submit highest marks for his favorite movie, Saludos Amigos, and lowest marks for all others. I started implementing a new service where people had to register to avoid double votes, but it was never finished. During the time when I was active in the Disney community
that already existed and made it their own, within the original framework. Brunner consider characters like Wendy, or Mulan. or more modern disney female roles, like in pixar movies. Pixar's stories tend to be brand new and not recycled. So, females characters aren't held down by their pre-feminist/ woman's suffrage beginnings. There are no fairy tales about someone getting a job, working hard for twenty years and buying the company. There are no fairy tales about marrying your school sweetheart
business with this site many times. Exactly!!! By tech standards, their content should be free, giving it a valuation closer to zero. >Exactly!!! By tech standards, their content should be free, giving it a valuation closer to zero. Marvel and Disney never drank Richard Stallman’s kool-aid and thus retained their sense of value. Yeah, I’m surprised there isn’t any mention of say Marvel’s digital strategy (they recently released their first comic on iTunes) versus